
King Coal: Bonus Feature
Clip: Season 37 Episode 1 | 8mVideo has Audio Description, Closed Captions
Performances by Shodekeh Talifero (breath artist), Lou Maiuri, Jesse Milnes, and Emily Miller.
Shodekeh Talifero (breath artist), Lou Maiuri (flatfoot dancer), Jesse Milnes (fiddle) and Emily Miller (vocals). Shodekeh records a library of breath art for KING COAL at Gaudineer Knob in the Monongahela National Forest, West Virginia. His work is used throughout the film as part of the sound design and score. Lou performs with old time musicians, Jesse and Emily, in Lost Creek, WV.
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Major funding for POV is provided by PBS, The John D. and Catherine T. MacArthur Foundation, the Wyncote Foundation, Reva & David Logan Foundation, the Open Society Foundations and the...

King Coal: Bonus Feature
Clip: Season 37 Episode 1 | 8mVideo has Audio Description, Closed Captions
Shodekeh Talifero (breath artist), Lou Maiuri (flatfoot dancer), Jesse Milnes (fiddle) and Emily Miller (vocals). Shodekeh records a library of breath art for KING COAL at Gaudineer Knob in the Monongahela National Forest, West Virginia. His work is used throughout the film as part of the sound design and score. Lou performs with old time musicians, Jesse and Emily, in Lost Creek, WV.
See all videos with Audio DescriptionADProblems playing video? | Closed Captioning Feedback
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Every two weeks, we curate a selection of POV docs, old and new, around a central theme. Stream while you can — until the next Playlist!Providing Support for PBS.org
Learn Moreabout PBS online sponsorship[ Air blowing ] [ Rhythmic breaths ] [ Breathes deeply ] [ Exhaling slowly ] [ Rhythmic breaths ] [ Rapid short breaths ] [ Warbling whistling ] [ Chittering ] [ Chittering continues ] [ Chittering continues ] [ Staccato breaths ] [ Wind howling ] [ Indistinct conversations ] -I learned to play the banjo pretty good, but I never could chord because I had a finger short and they never would reach the strings where I wanted it to go.
So I just quit picking and started dancing.
I really got interested in it, you know, and I really -- I really liked it.
And so I didn't have anybody to teach me, but flatfoot or old time dancing was simply a feeling.
It came within -- you know, came from within, where your feet and legs moved around in time with the music in a rhythmic fashion.
People always ask me, "Well, what is flatfoot, and what's the difference between it and clogging?"
When I talk about clogging, I talk more about precision type dancing, you know?
Where they have structured steps and it's not freestyle.
Now, flatfoot is generally just a -- just a freestyle dance where you just get up and do what feels good to you.
If a certain part of the music feels better than others, you change your steps and you put a little bit more -- you put a little bit more energy into that part of the music.
I usually wear a pair of Reebok tennis shoes with taps on them.
-Do you put the taps on there yourself?
-Yeah.
And these here I sent to Pennsylvania and had a leather sole put on them.
-Oh, okay.
-And I've got three pair of these fixed with leather soles.
And two of them have taps on them and one doesn't.
I'll demonstrate just a little bit of it for you.
Now, in a modern clogging step, if you use sound, the sound comes off the toe and the heel, and the sound comes first with a toe beat, and it's, uh... [ Tapping ] You hear that?
-Uh-huh.
[ Tapping continues ] In a flatfoot step, the sound would come off of the... [ Tapping ] See, it comes off the heel-toe.
-Mm-hmm.
[ Tapping ] And a buck dance step -- I don't know why I can do a buck dance step or not, but it's -- Let's see.
Hear that?
It has a double beat in it.
-Okay.
Uh-huh.
-That's a buck step, you see.
That's the difference in the three steps.
-Looks good, Lou.
Looking good.
-What?
-You're looking good.
-Well, you know, I'm lucky to be able to walk around at my age, you know.
I'm 93, and I know I'm probably 94 years old.
-Okay.
♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [ Laughter ] -It's the best I could do.
[ Laughter ] ♪♪♪ ♪♪♪ ♪♪♪ -♪ There was an old woman there by the seashore ♪ ♪ Oh, the wind and rain ♪ ♪ She had daughters, three or four ♪ ♪ And they cried the dreadful wind and rain ♪ ♪ A young man came courting by there ♪ ♪ Oh, the wind and rain ♪ ♪ And he made love to the youngest woman fair ♪ ♪ And they cried the dreadful wind and rain ♪ ♪♪♪ ♪♪♪ ♪♪♪
Video has Closed Captions
Clip: S37 Ep1 | 1m 27s | A message from the filmmaker. (1m 27s)
Video has Closed Captions
Preview: S37 Ep1 | 2m 8s | Trailer of Elaine McMillion Sheldon's film King Coal (2m 8s)
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Major funding for POV is provided by PBS, The John D. and Catherine T. MacArthur Foundation, the Wyncote Foundation, Reva & David Logan Foundation, the Open Society Foundations and the...