- Nothing's changed.

Not much.

- It's such a privilege to write a show to an end.

Very rarely as a, as a television writer gets to make that choice, usually you just get told you've not got a new series.

So to actually say, this is gonna be the last series, and for me to write it to the end, it's really, really pleasing.

- Can we talk about the fact that we killed a man?

Why would we want to do that?

Could be nothing.

Could be everything.

I can handle this if you need to go.

I'm not going anywhere.

Okay, cool.

If we do this, there's no way back.

- Oh, that's a bit dramatic.

- You're a bad dancer.

No, I'm just Scottish.

Ah, this is life-changing stuff.

- And I really threw everything into it.

I don't think I've got anything left to say about any of those characters ever - again.

- You wanna know how this finishes for you son?

You wanna think about what you did at the start?

- Let's see where we are at the end of the day.

- Cut!

It feels like the themes all come together and push us towards, you know, a, a really, a really interesting and fun, and I think really satisfying - end.

You're a lunatic.

I'm a professional.

She's looking very well.

What're we going to do?

We move on.

You're not safe from me.

Not by a country mile.

If the end is coming, I wonder how you've prepared.

It's not about revenge.

Revenge only gets you halfway.

What I'm giving you comes from love.

Where are you going, Max?

- To finish it.

Don't want it to end.

But I mean, I think it's right that it's ending and I think it's classy.

I think Neil's done a really classy thing.

He always saw it as a trilogy.

It's not about, you know, milking it for all it's worth.

It's about having integrity and, and class and, you know, three series, 12 episodes, you know, in the best possible taste.